cover image: The Ripon College Magazine. September 1934

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The Ripon College Magazine. September 1934

1934

It makes the possessor of power the slave of passions whims and caprices and it throws the rest of mankind into the lowest abyss of slavery and strikes at the root of all happiness and progress. [...] The alluring evening scenery of the river and the reflection of the golden rays of the sun on the crimson waters of the Ganges were pleasing to my eyes. [...] The intrigues of the royal musician Tully and the jealous hostility of Racine deprived him of the favour of the King. [...] " Shaw is a clown he is laughing at the public ; he is a buffoon ; he discharges fire-works simply for the sake of notoriety ; his success is the out-come of his pandering to morbid curiosity ; his sole aim is to make money by an appeal to the gallery." This merely goes to prove how complete is the lack of understanding of the ordinary critic The cause of failure to understand is the fundamenta [...] We find the re-birth of Caesar in Germany and Italy and in Russia representing a revival of the old Bourbon and Hapsburg ideals arrayed against the progressive forces of the world experimening on the lives of millions and millions of men in a way unparlleled in history.
education
Pages
149
Published in
India
SARF Document ID
sarf.120237
Segment Pages Author Actions
Frontmatter
i-v Devaprasad Ghosh, Umapati Bajpeyi, Prabhas Chandra, Mahmood Ali, Ramnarayan Singh view
Editorial Notes
i-vii Devaprasad Ghosh, Umapati Bajpeyi, Prabhas Chandra, Mahmood Ali, Ramnarayan Singh view
Ourselves
viii-x Devaprasad Ghosh, Umapati Bajpeyi, Prabhas Chandra, Mahmood Ali, Ramnarayan Singh view
The Hindi Literary Society First Anniversary
xi-xiii Devaprasad Ghosh, Umapati Bajpeyi, Prabhas Chandra, Mahmood Ali, Ramnarayan Singh view
The world as it could be made
1-8 Umesh Chakravartty view
A trip to Rajgir
8-10 J. P. Srivastava view
Shaw & Moliere
11-18 Kshetrapada Mukherjee view
Yearning
18-18 Anon view
Back to Caesar ?
19-28 Satyanarayan Mandal view
Invocation to Summer
28-29 Buddhadeva Bose view
Realism in Education
29-38 Devaprasad Ghosh view
The Telephone of To-day
39-40 Haider Ahmed view
Fatehpur Sikri
40-42 Madaneshwar Sinha view
My Yesterdays Come
43-44 Pramatha Gangopadhyaya view
Atul-Pryane
i-1 Sukumar Bandhopadhyay view
Nilchal
2-3 Akhilkumar Gupta view
Gitanjalir Kabyagatha
3-9 Ganendranath Basu view
Puja
9-10 Karunamay Mukhopadhyay view
Bhara Bhadare
10-10 Gangadhar Bhattacharyay view
Niye Chalo Saikhane
11-12 Sachindanath Saha view
Redium O Mather Kuri
13-16 Purnesh Bandhopadhyay view
Sri Bhagbaner Rup
17-17 Madhusudan Chattopadhyay view
Skaut
18-18 Mohammad Hussen view
Samsan
19-20 Jitendarnath Basu view
Iraner Kabi Omar
21-24 Bimal Barhbi view
Bharat Ramani
25-25 Sudhirkumar Datta view
Bal Bidhba
26-27 Amir Mandal view
Swapnsesh
27-28 Sudhir Ray Choudhary view
Barshar Sur
28-33 Gangadhar Bhattacharyay view
Sargia Kasi
33-38 Amar Mukhopadhyay view
Suptibhanga
38-39 Sudhindranath Basu view
Bhumikampa
39-40 Krishnadhar Chattopadhyay view
Surer Moh
41-43 Girindralal Sarkar view
Sandhya
43-44 Habibur Khan view
Byartha
44-45 Hariprasad Bandhopadhyay view
Ami O Tumi
46-46 Kanilal Ghosh view
Nirjjnta
47-49 Anantaprasad Majumder view
Kabi
50-51 Pramathnath Gangopadhyay view
Bharatiy Kalasimpa
51-56 Chintamoni Kar view
Jagrrihi
56-57 sachindra Mukhopadhyay view
Pujari
58-58 A. M. Ahammad view
Abahan
59-61 Tarapada Basu view
Holo Na Mor Sakal Katha Bla
61-61 Arabinda Ghoshal view
Mayar Dabi
62-62 Sudhirkumar Dashsarma view
Pratidan
63-63 Samrendrakumar Sen view
Chalona
64-64 Chiraranjan Mitra view
Article
i-iv Devaprasad Ghosh, Umapati Bajpeyi, Prabhas Chandra, Mahmood Ali, Ramnarayan Singh view

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